Anthem’s ARC Genesis room-correction software refers to this setting as the “Maximum Correction Frequency.” The Audyssey MultEQ Editor app dubs it the “MultEQ Filter Frequency Range.” Other room-correction systems use their own nomenclature, but the principle is the same: when you engage this setting, you’re effectively standing on the target frequency response curve of your room like Gandalf on the Bridge of Khazad-dûm, telling your room-correction system, “You shall not pass.” In other words, “Don’t filter the output of my sound system above this frequency.”ĭigging back through both my personal and professional e-mail inboxes (as well as my social media DMs) for the past few years, I’ve found that the vast majority of questions readers have asked me have been about this setting. The exact terms for this feature vary from company to company. These days, most of the better room-correction systems give you the ability to set an upper limit for the frequencies being “corrected.” And for my money, it’s not only the most useful feature of such systems but also the most misunderstood.
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